Discover how to write screenplay treatments that will make agents, managers, producers, and studio executives eager to read your work.
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Screenplay treatments often are the key to getting an agent to represent your script and getting a producer or studio executive or actor to read your script and buy it, but treatments also are one of the hardest things to write.
Here you’ll find shortcuts and examples that will show you, step by step, how to write a treatment that will make agents, story editors, producers, and network and studio executives anxious to read your script including:
A lot of work went into making this one of the best step by step treatment writing guides in the industry. If you follow the steps, we guarantee you will be satisfied. Feel free to go through the guide risk free for sixty days. If you find this this guide does not help you, let us know and we will happily return your money.
As our gift to you, you can even keep any downloads just for trying this out!
60 Day Money-Back Guarantee! Questions? 310-746-3868
Jurgen Wolff has written more than 100 episodes of television, the mini-series “Midnight Man,” starring Rob Lowe, the feature film “The Real Howard Spitz,” starring Kelsey Grammer, and as been a script doctor on projects starring Eddie Murphy, Michale Caine, Kim Catrall and others. His books include “Your Writing Coach” and “Creativity Now!”
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Before you invest in this training, please know that not all people will get the same results from this information. This is because some people have been producing films for years. And because these folks have lots of experience and connections, they may be able to apply this training in ways that a beginner cannot. Your own results will vary based on your background, experience, and ability to take action. Every business... Especially the motion picture business involves risk. The people who get results take action, continually educate themselves and they often get lucky. So if you're not okay with this reality, then please DO NOT invest in this training.
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